Friday 9 September 2016

AFTER THE FALL: THE CONSERVATION OF TULLIO LOMBARDO'S ADAM



"Burying things in a first glove of words, a second pocket of writing, a third screen of printed matter, a thousand names..."
         -- Michael Serres, 'Biogea' 

A friend sends me URLs that she has 'orphaned' from their seamless one-click digital environment. She writes them by hand: scrawled in semi-legible pencil on the back of a 20 baht note, or neatly penned in gold ink on glass and then photographed. She draws the outline of a Fra Angelico painting and writes one around the angel's halo, or finger-draws them over photos of darkened rooms that come to me via Instagram.



And then, slowly typing these unclickable unpronouncable URLs into the address bar, I am reminded once again of something that our digital culture ís straining to forget: that there are many, many different ways to approach things, and that love and attention have their own unique velocities.

And I find myself watching things like this:





This beautiful short video documenting the reconstruction of a shattered sculpture unintentionally yet effortlessly seeps outside its immediate concerns, leaving me thinking about robotics, slow time, extreme medical intervention, dance, crime scene investigation, and even William Gibson's Bobby Chombo (the 'Spook Country' GPS geek who chalks out a grid of metre-wide squares on his warehouse floor and refuses to sleep in the same space twice...)

And the vimeo one? Well that isnt too difficult to type in yourself, is it...?


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